CCTV News(Reporter, Luo Chuan, Tang Shiying, Li Wenwen, He Chuan) On May 28, the 7th China Network Audiovisual Conference with the theme of "Guarding Integrity and Innovation to Inspire New Audiovisual Vitality" opened in Chengdu. At the Network Audiovisual CEO Summit held that afternoon, many leading figures in the network audio-visual industry shared their experiences and views and exchanged insights.

　　Fan Luyuan (Alibaba Group Partner, President of Alibaba Entertainment)

　　We are willing to be "migrant workers" in China’s film and television industry and provide infrastructure services. We hope to give full play to the series of advantages of Internet big data and Alibaba’s ecological resources to bring incremental growth, vitality and innovation to China’s online audio-visual industry.

　　Sun Zhonghuai (Vice President of Tencent and CEO of Penguin Film and Television)

　　The scale of the industry continues to expand, and the pattern of the industry is becoming clearer and clearer. The entire audio-visual industry continues to move forward on a standardized and healthy track. Normalized methods can no longer meet the demands of the market. The establishment of industrialization standards, the integration and coordination of resources, and the innovation of ideas and technologies have become very important.

　　Gong Yu (founder and CEO of iQIYI)

　　China’s audio-visual entertainment industry has a bright future. Combined with the development law of the global entertainment industry, China’s entertainment industry will have a period of 8-10 years of rapid growth. According to market third-party data, China’s entertainment industry will grow by 25% in 5 years, and the industry scale will reach 2.70 trillion. It can be seen that the online entertainment industry led by online audio-visual is developing rapidly.

　　Zhang Wenlin (President of Huawei Corporate Strategy Department)

　　In terms of future-oriented ultra-high definition content production, the gap with overseas is very large. There are already more than 200 ultra-high definition TV channels overseas, and Hollywood has produced 4K ultra-high definition movies on a large scale. In comparison, our 4K ultra-high definition content is very insufficient. And our video content consumption and TV production account for half of the world. Therefore, we have great potential in ultra-high-resolution video content. We need to actively deploy IP, cloud, AI and other technologies to accelerate the production of 4K ultra-high definition, VR and other content, and actively lead the development of ultra-high definition content industry.

　　Lu Zhengpin (Chairperson and General Manager of Wasu Digital TV Media Group Co., Ltd.)

　　Wasu takes user requests as the center, adheres to the two paths of "Xiangzhi" and "Huimin", closely focuses on the three directions of new network, new media and big data, and continuously promotes system innovation, technological innovation, product innovation and integrated innovation. Only by continuously optimizing our industrial structure can we maintain the healthy and sustainable development of Wasu.

　　Cai Huaijun (general manager of Mango Super Media joint stock company, president of Mango TV)

　　Mango TV has always adhered to the integration of quality and efficiency in the field of content marketing. We cover 50% of the popular variety shows in the market with 10% of the cost. Now we are not just a content producer, but a master of the content industry system and a platform creator.

　　Rui Chen (Chairperson and CEO of Bilibili)

　　In the future, China will not only become the world’s largest consumer of culture, but also the world’s largest producer and exporter of culture. To achieve this, we need excellent creators, mature audiences, standardized industries and platforms with a sense of social responsibility. Together, under the leadership of the government, we can hope to achieve this goal and truly make Chinese content stand at the top of the world.

　　Li Yiqing (founder of Park Ying Capital, special strategic advisor of Park Ying Guoshi Fund)

　　The overall cultural media industry has re-broken the ice and picked up, and the phased trough is about to pass. The entire cultural media industry currently has only 19 times the comprehensive PE in class A shares, so for investment, I think the entire investment value will reappear.

Who can play best in the car circle? People who drive pickup trucks. Pickups can take you cross-country, take you fishing, play motorcycles, help you climb mountains, and provide public welfare rescue. There is even more room for modification.

On October 1st, the Automobile 2021 Alashan Heroes’ Club officially opened, assembled the artillery alliance, opened the co-creation meeting for riders from more than 20 provinces across the country, established six pickup truck colleges, and launched the "Thousand Talents Co-creation Plan". Black bombs and brigade guns that have repeatedly appeared at the auto show are also officially delivered here!

Unbelievable, 200,000 units were sold in just two years. In China, for every two pickup trucks sold, one is a pickup truck. The birth of the pickup truck has set off a popular wave in China-it has 200,000 like-minded users, forming an enviable circle culture, which is also the soil for launching the "Thousand Talents Program". In this ecological mode, cars will naturally make great efforts to operate well.

It is understood that through online and offline linkage, automobiles will allow more people to participate in the whole chain of product development, testing, production and marketing, including new product naming, new car testing and surrounding boutique development. Off-line, Auto has established the Firearms Union Cheyouhui and set up 31 provincial teams throughout the country; Online, the car has built the first exclusive APP in the pickup industry (the number of users has exceeded 160,000).

The first batch of co-creation officers can enjoy six rights and interests, and the points they receive can be used to give priority to the experience of cultural and creative products, and they can also obtain the exclusive logo of app and the exclusive vehicle nameplate; Can give priority to participating in official offline activities, buying cars and participating in new product experience salons. If you want to do business with, the merchants who settled in the first year can also settle in for free.

Black bombs and brigade guns have already appeared at the auto show before. This is a customized product of cooperation between automobiles and specialized modification companies. This officially modified model is more secure in terms of quality and easier to get a license. At this conference, the two models officially announced the price and started delivery. Among them, the price of black bombs is 248,800 yuan, and the price of travel guns is 267,800-289,800 yuan.

According to the mecha style, the black bomb was blackened all over, and its wader raised the air inlet to the top of the vehicle, reducing the damage to the engine caused by wading and dust. The black bomb uses all-terrain tires with a diameter of nearly 33 inches, which has puncture resistance and passability.

The traveling gun is more like an RV. The cargo compartment is equipped with ladders, spare fuel tanks, onboard tools and other equipment. The interior can accommodate a 1.9-meter *1.8-meter double bed, with decorations similar to the starry sky, and equipped with simple kitchen utensils and water heaters. This car is positioned as a good helper for camping in the wild.

Will 200,000 vehicles in two years go further and wider? I will. Nowadays, consumers’ recognition of domestic models is strengthening, and "playing with cars" is also changing from niche culture to an important thrust to promote the further maturity of the automobile market.

Wen | Long Chengfei

Editor | He Runxuan

We can see "platelets" on TV.

　

On January 22nd, the official blog of CCTV6 movie channel released a poster of Japanese animation "Working Cell" with the topic of #CCTV6 Spring Festival Film List #, confirming that the first season of "Working Cell" will be broadcast in Weibo on February 13th, and the official blog of the Japanese Embassy in China also forwarded it to the official microblog. On January 29th, the official blog of the movie channel released a video clip of the Chinese dubbing version of Work Cell.

　

Screenshot of "Working Cell" animation, the picture shows the popular character "Platelet"

　

"Working Cell" was adapted from Shimizu’s comic book of the same name, and the first season was broadcast in July 2018. Animation personifies cells in the body, bacteria and viruses invading from the outside, and various tissues and organs of the body become machines or buildings. By depicting the work of cells and the fight against the invasion of germs, the daily operation of human functions is displayed, and biological knowledge is popularized.

　

As soon as the news came out, # Work Cell will be broadcast on CCTV # and boarded the hot search in Weibo.Poisonous eyes (WeChat ID: domoredumou)Note that,This is the first time that Japanese animation dramas have returned to mainland TV screens since the SARFT issued restrictions on overseas animation, and the scale of domestic animation industry and the public’s cognition of "animation" and "secondary elements" have also made a qualitative leap compared with more than a decade ago.

　

Then, can the broadcast of "Working Cell" be used as an opportunity for Japanese animation to return to mainstream TV channels?

　

Those days when I watched Japanese animation on TV

　

In the childhood of many viewers, Japanese animation can be seen on TV channels.

　

If we want to trace back to the first Japanese animation broadcast on TV, it is probably Astro Boy, which was introduced in 1981 and adapted from Osamu Tezuka’s original cartoon. The version introduced at that time was the 1963 version, which was also the first TV continuous animation in Japan.

　

However, for many netizens who are still recalling childhood cartoons, Astro Boy has been introduced for a long time, and saint seiya, a Saint introduced in 1980s, seems to be more representative of the childhood memories of most viewers. "Practicing the small universe" has become a common childhood anecdote written by many post-80s writers. In "Flying like a teenager", Han Han once wrote the plot of tying wood to his shoulder with a rubber band and pretending to be a "holy garment".

Knights of the Zodiac: Saint Seiya

　

Looking back, the introduction of Japanese animation to mainland TV channels may be related to Japan’s aid to China at that time.

In the 1970s, the normalization of diplomatic relations between China and Japan began. In 1978, China officially started the process of reform and opening up. In the same year, Deng Xiaoping, then Vice Premier of the State Council, visited Japan and concluded the Sino-Japanese Treaty of Peace and Friendship. The following year, he began to provide ODA (official development assistance) projects to China. With the relaxation of Sino-Japanese diplomatic relations and the strengthening of cooperation, it is logical to introduce Japanese animation.

　

At the same time, at that time, Hong Kong and Taiwan had close communication with Japan, and introduced many animation works, including "Chaos 1/2" and "Flower Fairy", and made dubbing and subtitles in Chinese. Mainland TV stations could directly purchase and introduce Hong Kong and Taiwan versions, thus reducing the input cost of dubbing and subtitles.

　

In 2000, Uni-President Group sponsored Taiwan Television to broadcast China! In order to re-dub the film with advertisements, the name of the leading actor "Liu maosin" in the film was changed to "Little Master", and the name of the female host’s father "Ji" was derived from the brand name of Ji Dumplings. Later, the Taiwanese version was introduced to the mainland, and the childhood memory of mainland audiences left the translated name of "Little Master" with advertising color.

China’s Little Master　

However, many viewers’ childhood memories came to an abrupt end in the early 20th century.

　

According to the Notice of the State Administration of Radio, Film and Television on Further Standardizing the Broadcasting Management of TV Cartoons, starting from January 1, 2006, TV stations at all levels in China are not allowed to broadcast overseas cartoons or information programs introducing overseas cartoons during the period of 17:00-20:00, and at the same time, major animation channels are required to broadcast only domestic cartoons and domestic animation columns during this period.

　

The introduction of the broadcast restriction order is on the one hand due toMismatch between domestic TV channels and main audiences of Japanese animation.

In the domestic traditional concept, "cartoon" is a literary work for children, and the main audience of TV animation channel is mostly children under the age of 10, while the main audience of most Japanese cartoons is teenagers in junior and senior high schools. The serial comic magazine Weekly Youth JUMP, which has the highest circulation in Japan, is positioned as a juvenile comic magazine, and many of its contents are considered by parents to contain negative factors such as violence and blood, and often receive complaints and feedback.

　

On the other hand, the original intention of restricting overseas cartoons is to protect the domestic animation industry.

In 2010, Jin Delong, then deputy editor-in-chief of the State Administration of Radio, Film and Television and director of the Propaganda and Management Department, said at the Suzhou Film and Television Animation Creative Investment Conference that he opposed the large-scale introduction of foreign cartoons, because the large-scale introduction of foreign cartoons would hit China’s animation industry hard. At that time, the support policies for the domestic animation industry and the strict control over the introduction of foreign cartoons achieved remarkable results.

　

The "second dimension" of change

　

In those days when Japanese animation was not seen on TV, the state began to give policy support to the domestic animation industry.

　

In 2006, the Ministry of Culture, the Ministry of Finance and the Ministry of Education issued "Several Opinions on Promoting the Development of China’s Animation Industry", proposing to increase investment and financing support, and encouraging animation publishing and broadcasting institutions to increase the proportion of publishing, publishing and broadcasting domestic animation products, which was approved by the State Council.

In 2008, the Notice of the Ministry of Finance and the State Administration of Taxation on Tax Policy Issues Concerning Supporting the Development of Animation Industry was issued, proposing to give preferential treatment to recognized animation enterprises in terms of value-added tax, business tax and income tax. In 2012, the Ministry of Culture even issued the "National Animation Industry Development Plan during the Twelfth Five-Year Plan" to continuously promote the development of the domestic animation industry.

　

The results of support are obvious, and the market scale of domestic animation industry has increased in more than ten years.

According to the National Animation Industry Development Plan during the Twelfth Five-Year Plan, the domestic animation industry will reach 47.084 billion yuan in 2010 from less than 10 billion yuan at the end of the Tenth Five-Year Plan, with an average annual growth rate of more than 30%. Jin Delong also said that from 1993 to 2003, the domestic original animation production was only 46,000 minutes, and by 2009, this number had increased to 171,600 minutes.

　

The Return of the Great Sage has exceeded 900 million at the box office, and excellent domestic animation works such as Fox Demon Little Matchmaker and Under One Man have appeared one after another, all of which have provided "confidence" for domestic animation, and the younger generation of Z-generation audiences have more choices than Japanese animation.According to the research report of iResearch, the total output value of China animation industry reached 194.1 billion yuan in 2019, and the number of online animation users reached 400 million.

Fox demon little matchmaker

　

At the same time, with the growth of post-90s and post-00s groups and the development of barrage websites with ACG sub-culture, excellent animation works have stepped out of the original circle, and the mainstream audience’s cognitive impression of "two elements" has changed. ACG, a circle culture, is gradually moving towards the mainstream public with the growth of the main audience. Recently, the popular Japanese animation "The Mantra Comes Back to War", the popular character Wuwu’s birthday can also be searched in Weibo.

　

The appearance of excellent works by Guo Man and the public’s decontamination and naming of "second dimension" and "cartoon" provide a prerequisite for Japanese animation to return to mainstream TV channels.

　

The Work Cell, which landed on the film channel this time, is itself a high-quality animation work with the nature of entertaining and popular science. It was praised by People’s Daily and won the "Best Animation Script Award" in the Magnolia Award of the 25th Shanghai TV Festival in 2019.

And choose this time to broadcast by the film channel, perhaps considering to cater to COVID-19’s anti-epidemic environment. The official blog of the film channel wrote when releasing the poster of "Working Cell": "I hope that both big friends and children can deepen their understanding of themselves and enhance their awareness and ability of self-protection during the epidemic."

Working cell

Then, does the broadcast of "Work Cell" mean that CCTV’s restrictions on the Japanese diffuse have been lifted?

Some netizens think that broadcasting itself can’t represent the attitude of CCTV, because the movie channel with the name of "Six Princes" is actually not directly affiliated to CCTV. Before that, the theatrical version of One Piece, Naruto and Spirited Away and other Miyazaki Hayao animated films were broadcast, and in January 2019, it was specially designed to introduce Fate/Stay Night’s Feet to domestic cinemas.

　

However, in recent years, the mainstream TV media represented by CCTV are changing their "image" to fit the aesthetic trend of young people. In the previous article "Consa Juni", CCTV Men’s Team in Business, it was mentioned that the popularity of this "CCTV Hosting Men’s Team" was an attempt by CCTV to open a new dialogue with young audiences.

Last year, Zhu Guangquan and others walked into the live broadcast room with goods, and Wang Bingbing became an internet celebrity sought after on social media platforms. The initial stage of the whole crew of "Youth with You 3" was set at the CCTV New Year’s Eve party, and CCTV’s "youthfulness" seemed to be further accelerated.

　

The appearance of "Working Cell" on TV may also be an opportunity to further "open up".

　

Our province introduced the measures to support and reward excellent film creation, production and communication projects.
The box office exceeds 100 million yuan, and the highest reward is 3 million yuan.

Hainan Daily News   (Reporter   Zhang Wanxian   Trainee reporter   Song Lingyun) Recently, our province issued the Interim Measures for Supporting and Rewarding Excellent Film Creation, Production and Communication Projects in Hainan Province (hereinafter referred to as the "Measures"), offering "real money and silver" to support and reward excellent film creation, production and communication projects, encouraging the creation, production and dissemination of more excellent masterpieces with profound thoughts, exquisite art and excellent production, telling the story of Hainan Free Trade Port well and promoting the prosperity and development of Hainan’s film industry.

The film projects supported and rewarded by the Measures include all kinds of domestic story films, opera films, animated films, documentary films and science and education films (including the above types of Chinese and foreign co-productions).

The objects of support and reward are divided into five categories, namely, film creation projects that are expected to have significant social influence; Representing Hainan in major national literary awards, competitions, film festivals or major international competitions and mainstream film festivals widely recognized by the society sponsored by the Publicity Department of the Communist Party of China, the State Film Bureau, the Ministry of Culture and Tourism, the China Federation of Literary and Art Circles and other relevant departments, and film works that are expected to win awards or have won major awards; Projects with Hainan theme and elements as the main creative content, whose works mainly show Hainan’s human history, natural scenery and development achievements, which have great influence and promotion on promoting Hainan’s image and cultural awareness; Movies broadcast in the Central Radio and Television General Station or released and shown in mainstream cinema lines and achieved good box office results and good social benefits; Other special projects not included in the "Measures" shall be supported or rewarded by one-on-one discussion.

The Measures provide nine categories of support policies for film projects, including film creation support, film premiere support, key projects support, domestic box office awards, overseas box office awards, broadcast awards, national awards, international film festivals awards, and other domestic film festivals awards. Among them, the film project that tells the story of Hainan, the works mainly show Hainan’s human history, natural scenery, development achievements and other film projects, and each film will be given a one-time reward of 50,000 yuan with the Film Script (Outline) Filing Receipt (within the validity period) and the script; Complete the filming and get the film release license, and then give a one-time reward of 300 thousand yuan.

Movies listed as key projects of the Central Propaganda Department (State Film Bureau) shall be supported by no more than 3 million yuan each; Films listed as key projects of the Propaganda Department of the Provincial Party Committee (Provincial Film Bureau) shall be supported by no more than 1 million yuan each (both national and provincial key projects shall be supported).

If the box office of films that have been released for the first time through mainstream cinemas and have good social benefits reaches 100 million yuan (inclusive), each film will be given a one-time reward of 500,000 yuan; For every 100 million yuan increase in the box office, the reward will increase by 500,000 yuan, with a maximum of 3 million yuan. The film project was successfully released overseas, and the box office was converted into RMB 10 million yuan (inclusive) at the exchange rate, and each film was rewarded with 500,000 yuan; If the box office reaches 50 million yuan (inclusive), each department will be given a one-time reward of 1 million yuan; If the box office reaches more than 100 million yuan (inclusive), each department will be given a one-time reward of 1.5 million yuan.

Give a one-time reward of 3 million yuan to the film that won the "Five One Project" award in Publicity Department of the Communist Party of China; A one-time award of 1 million yuan will be given to films that have won the China Film Watch Award, the Golden Rooster Award for Chinese films and Hundred Flowers Award.

The "Measures" stipulate that the project supported by film creation is a film and television enterprise with independent legal personality. For other projects that support awards, the applicant must be a unit registered in Hainan Province with independent legal personality.

"

A new application test automation method, which can quickly evaluate the experience quality provided by the world’s popular mobile applications.

German technology company recently announced the introduction of enhanced functions for its Nemo device application test suite. The software solution adopts automation technology and artificial intelligence (AI), which gives a powerful boost to wireless service providers and application developers, and can help them quickly evaluate the real interaction between smartphone users and local mobile applications. It is German Technology that provides advanced design and verification solutions, aiming at accelerating innovation and creating a safe and interconnected world.

In the past few years, the number of users who use mobile applications to access digital content and participate in social media platforms and online games has increased significantly worldwide. Compared with the mobile web browser, the local mobile app can provide a tailor-made excellent experience; Therefore, the use of mobile applications has significantly promoted this growth.

Matti Passoja, the head of Nemo wireless solution of De Technology, said: "Service providers and mobile application developers want to know the real experience of end users when they access OTT applications with smartphones connected to cellular networks, and they need a reliable way to verify it. It is DeTech that has created an automated application testing method based on its unique software and hardware technology platform. This method uses real applications, and can accurately understand network performance even in extremely complex and changeable situations. "

It is DeTech that makes full use of artificial intelligence, machine learning (ML) and automation technology, and uses the data captured by local mobile applications (instead of the simulated data flow) to create a brand-new device testing application method. This method can evaluate the interaction between end users and their mobile applications more accurately. The new application test automation method can help wireless service providers quickly optimize the performance of 5G network, and at the same time provide better quality of experience (QoE) for smartphone users. Users can enjoy the world’s most widely used OTT services and social media applications, such as Facebook Messenger, Microsoft Teams, Snapchat, TikTok and Zoom.

The new automatic test application method is one of the three supplementary test methods provided in Nemo device application test suite of German Science and Technology. According to the type of mobile application and key performance indicators (KPIs), the test method can be used with a Nemo field test solution. Nemo test suite users can obtain comprehensive, real and flexible 5G network performance verification and end-user QoE evaluation.

It is a Nemo testing tool of German Science and Technology, which can capture real measurement data in the field and use it for real-time analysis or post-processing analysis. These test tools include Nemo Outdoor 5G NR drive test solution, Nemo Backpack Pro 5G indoor benchmark test solution and Nemo network benchmark test solution.

For many young music creators, an easy-to-use intelligent recording pen has become the immediate need. In fact, Xunfei intelligent recorder SR302 has become the choice of many people. With its compact body and professional performance, it can be said that in the market of intelligent voice recorder, Xunfei intelligent voice recorder SR302 brings a different experience. This year’s Double Eleven, start this Xunfei intelligent recorder SR302, and easily complete the advanced stage!

Being recognized by many young users, the strong strength of Xunfei intelligent voice recorder SR302 is the most critical. Among them, the professional recording function is its brightest point. In the slim body of Xunfei intelligent recording pen SR302, there is a combination of 2+4 microphones with excellent performance, which can not only achieve 15-meter long-distance pickup, but also achieve 360 dead-angle radio reception and intelligent noise reduction under the blessing of Xunfei intelligent algorithm. Whether it’s a path in the dead of night or a busy playground, Xunfei Intelligent Recording Pen SR302 can bring more satisfactory recording effects to users.

Of course, the advantages of Xunfei intelligent voice recorder SR302 don’t stop there. The free and permanent intelligent transcription service is also an important reason why Xunfei intelligent voice recorder SR302 is popular in the workplace. Based on Iflytek’s leading artificial intelligence speech algorithm, Xunfei intelligent voice recorder SR302 can show brilliant performance in 10 languages and 12 dialects. Easy transcription, accurate identification, online transcription accuracy of up to 98%, it is easy to present the recorded content in the form of words in front of users. Whether it is lyrics creation or meeting minutes, with the help of Xunfei intelligent recorder SR302, the performance can always be better.

In terms of portability, which many young friends are concerned about, Xunfei Intelligent Recording Pen SR302 also performs well. Its slim body and light weight are very convenient, whether in jacket pocket or small bag!

On the afternoon of November 4th, 2022,Under the guidance of Futian District Talent Bureau, the Smart City Special Session of Zhichuang AI-AI+Industry Summit sponsored by Shenzhen Artificial Intelligence Industry Association, Gongdadi Innovation Technology (Shenzhen) Co., Ltd. and Guangzhou Yingma Information Technology Co., Ltd. was successfully held.

The talent development activity of "Zhichuang AI" is one of the series of activities of "Endeavour New Journey to Spend Talent Day" in Futian District in 2022. It gathers professionals from enterprises in artificial intelligence industry, focuses on AI industry ecology and artificial intelligence industry chain, shares cutting-edge perspectives and talks about new opportunities for artificial intelligence development. With the theme of "Smart Convergence into a City, Winning the Future", this forum focuses on the smart city field, and faces software developers, system integrators and hardware providers in smart city transportation, urban management and other fields, bringing together enterprise representatives and industry elites with AI intelligent upgrade requirements, and connecting upstream and downstream business opportunities, industrial landing experience and other all-round resources to jointly explore the development direction of urban scene application.

Zhao Cong, CEO of Gongda, Liang Hongbo, General Manager of Yingma Technology, and Lang Liping, Shenzhen Artificial Intelligence Industry Association delivered speeches for the event; Li Sunan, Senior Marketing Director of Gongda, Lu Zhitao, Director of AI Scene Application Division of English Code Technology, Yan Weijie, Manager of Qianshitong Solutions Department, and Liu Rongjie, Product Director of Gongda attended the event and delivered speeches, and had in-depth interactive exchanges with business representatives and industry elites in the smart city field on the key technologies, scenes and needs of smart city development.

This activity focused on key technologies and fields such as visual AI, intelligent transportation, intelligent security, AI computing power, etc., and invited more than 60 enterprises to participate in the in-depth discussion of hot and difficult issues in the construction and promotion of smart cities. At the same time, the live broadcast of the event attracted nearly 3,000 participants. Through this activity, participating enterprises share their experience in AI construction of smart cities, combine the digital and intelligent transformation needs of their fields, make all-round docking of related resources, jointly explore the development trend of smart cities, and jointly promote the high-quality development of artificial intelligence industry.

Recently, some netizens asked at the "I Jinshan" WeChat public account of "I Jinshan" in the Jinshan District Rong Media Center, Shanghai, and asked: "Xiaobian, Xiaobian, 48 hours have passed, why hasn’t the community notified notification?"

In this regard, "I Jinshan" replied: "The region management and control investigation is a dynamic adjustment process, and it is not said that it will be automatically unblocked in the community in 48 hours. Only when all personnel in the region control the community have been detected twice within 48 hours, and the resultIt is normal. After the comprehensive research and judgment of the previous epidemic prevention and control department can be issued, the unblocking instruction can be issued. Once the nucleic acid test results in the region are controlled abnormal, the control time will be extended accordingly. "

"I Jinshan" added: "The number of nucleic acid detection has soared in the near future, and the test report time is relatively prolonged, which affects the time and control time. The current situation of the epidemic prevention and control is severe and complicated.The principle of less contact and less gathering "promotes home online office."