Name: Wu Hui, also known as "Lao Ji"

　　Age: 40 years old, born in 1980

　　Identity: Delivery rider

　　The takeaway rider "Lao Ji" has a lot of fate with Wuhan. He went to university in Wuhan from 1999 to 2003, and left Wuhan after graduation. In July 2019, when his life was at a low point, he returned to Wuhan to work as a takeaway rider. Since the epidemic was tense and the city was locked down, he has shuttled through the streets and alleys of Wuhan every day, delivering food and shopping for healthcare workers, and running errands for citizens to buy all kinds of scarce items. On Weibo, he recorded every corner he went to, attracting the attention of countless netizens. Everyone regarded him as a window to understand the real Wuhan, comforting many people.

　　But Lao Ji told the Modern Express reporter that I gave Wuhan people a sense of security, but in fact they also helped me find the value of life. We helped each other, "Thank you Wuhan for helping me get out of the slump."

　　On the afternoon of February 23, as a delivery rider, Wu Hui attended a press conference held by the State Council Information Office.

　　The following is Lao Ji’s oral statement

　　Wuhan citizens gain a sense of security from me

　　I am an ordinary takeaway rider in Wuhan. During the lockdown, I shuttled through the streets and alleys of Wuhan every day, delivering some necessities to the citizens, so I was concerned and cared for by the whole society.

　　I am from Shiyan, Hubei, and I decided to stay in Wuhan years ago to earn more money. The takeaway platform launched a bonus plan. As long as the food delivery is not interrupted for 7 days, there will be a part of the bonus. Now I have been running for nearly a month without interruption, and the bonus is not small. If the whole run without interruption, it is equivalent to an extra month’s salary.

　　But when Academician Zhong Nanshan announced that the novel coronavirus pneumonia was transmitted from person to person, and Wuhan was locked down, I found that my ordinary occupation began to change. The first change was that after I delivered the takeaway to the citizens, they would say thank you many times, and they would tell me to pay attention to safety and so on.

　　Although everyone would usually say thank you when delivering food, it was all out of politeness and education, but now when I send items, their gratitude is with true feelings. Although I can’t see anyone, the voice on the phone is full of affection.

　　During this period of time, I received the most orders for errand shopping, and there were very few traditional food deliveries, such as buying pork ribs, fruits and vegetables. Everyone needed these to supplement nutrition and enhance their resistance. In addition, I bought the most medicine for medicine, which was antiviral and cold medicine. It was often not available in one area.

　　Delivering meals to healthcare workers, I started to "coward"

　　In addition to taking orders from ordinary citizens, I also deliver meals to healthcare workers and help them run errands and buy things. To be honest, I was "cowardly" at first, and I was a little scared after running for a day, so I didn’t want to work anymore.

　　On the evening of New Year’s Eve, I didn’t take orders. I had been reading online information and saw a video about front-line medical staff eating instant noodles in the New Year’s Eve. When I forwarded it on Weibo, I said, "As a delivery guy in Wuhan, I feel very guilty! I am sorry!"

　　On the first day of the new year, I saw an order sent to Zhongnan Hospital, but no one answered. But whether it is doctors, nurses, or patients, they all need to eat, so I took the order and sent it over. The address on the order said 9 beds on the 16th floor. When I arrived, I found that this floor was the Department of Respiratory Medicine, but I still sent it in, and it wasn’t that scary when I went in.

　　There was also a meal delivery to the Liyuan Community Health Service Center in Hongshan District. It was a large order with a total of four or five hundred yuan. After I delivered it, I handed the meal bag to a healthcare worker. In addition to her own order, there was also a gift from enthusiastic citizens. She was surprised and quickly said "thank you" to me. I still remember the expression on her face at that time, and I was also touched.

　　Because during the epidemic, I often shared the street view of Wuhan on Weibo to tell everyone how Wuhan is now, so it attracted a lot of followers. Everyone came to my Weibo every day, left me a message, cared about me, and cared about the real situation of the city.

　　Why do you follow my Weibo? I am not a star, but an ordinary takeaway rider? Because the takeaway rider is not just a person. If I can work normally, it means that the merchants behind me are doing business, and the platform behind me is also working normally. By following me, it means that we are actually paying attention to the city or not. Because eating, drinking, housing and transportation are the most concerned things for ordinary people. If the problem of eating can be smoothly guaranteed, everyone will gain a sense of security psychologically.

　　Once, when I was running an order in Qingshan, two elderly people saw me and asked me, if we can still order takeout now, we can order takeout when we eat? I replied to her and said, yes, you can order takeout, and you can always order takeout. At that time, I was a little touched. My appearance and my answer may be able to reassure them.

　　I run outside every day, and the people of Wuhan should be able to calm down slowly through our messages. When encountering problems, they can calm down and think of solutions. I think this is the greatest significance of my daily work as a takeaway rider.

　　Being a rider in Wuhan has also helped me find value

　　Many people will ask me, you went to college, why do you still want to be a delivery rider, and my answer is that this job is free and can earn a lot of money.

　　In fact, there are more reasons. I can also tell you that after graduating from college, I went to the south and also did some white-collar jobs. Later, I started my own business, but I failed. I owed a lot of money and was in debt.

　　So some time ago, it was a low point in my life. Later, I felt that I had to make some changes and become a normal person. Therefore, I came to Wuhan to communicate and integrate more with the society here.

　　I came to Wuhan as a takeaway rider, and I am a part-time rider. I am relatively free. I can control whether to accept orders or not, and choose when to accept orders.

　　But because of the epidemic, I helped you run errands to buy supplies and medicines, and solved some big or small life problems for you. Everyone recognized me. For me, this job and the interaction with Wuhan people helped me find value.

　　Other riders will also tell me about their sense of gain and their affairs. A brother said that he bought a lot of food for a family in a community in a row, and every time he bought food, the family was very happy. Thank you very much and want to give him an extra red envelope. The sister who bought food said that you saved my life. I really want to give you a big hug after the epidemic is over. This brother shared it with me proudly. I thought of the hero complex we all had when we were young. At that time, he seemed to be a hero. Under the setting sun, I felt his whole person was shining.

　　There is also Xiaoqing, a teacher whom I often buy things for. She is also very anxious at home and may have psychological problems. I encourage her to go to Weibo to communicate with netizens all over the country. It is this kind of communication, feeling the emotional exchange between people, that will slowly bring you back to a normal psychological state. And this sense of gain and achievement is expanded by geometric multiples through the messages, comments and reposts of Weibo netizens.

　　After my story was reported by the media, especially after the CCTV news investigation was broadcast, my parents also saw it. My brother sent me a photo that day. My parents sat on the sofa and watched my report with their mobile phones in the same posture. My brother said they took it very seriously.

　　This is a scene that touched me very much. The two elderly people saw their once failed sons appear on CCTV to buy in-demand goods for all Wuhan people. I think they should be very proud at that moment. Be proud of me.

　　After watching the video, they gave me a call and instead of telling me not to run out to work, they encouraged me to pay attention to safety outside. When I heard it, my heart felt very warm.

　　Modern Express +/ZAKER Nanjing Special Reporter, Xiong Pingping/Wen, Gu Wei/Photo (some pictures provided by the respondents)

creator

Fan Bingbing

　　Fan Bingbing, who has just won the title of film queen at the Tokyo Film Festival, has been busy promoting the film "Guanyin Mountain" recently. Just after attending the premiere of the film in Beijing, he appeared in Shenzhen on the 24th to continue to build momentum for the film. At the press conference, Fan Bingbing was dressed in a white feather suit of TADA SHISHOJI, which was as beautiful as an angel. Although she has been running around for days, the beauty is still refreshed and has no sense of tiredness. The joy of the upcoming release of "Guanyin Mountain" is beyond words.

　　After the previous premiere of "Guanyin Mountain" in Beijing, the response was very enthusiastic. Some well-known film critics commented that Bingbing’s performance in the film was "the first light of 2011 Chinese film, like the early morning dew, which is moving." When asked by reporters how Fan Bingbing and Chen Bolin expressed their understanding of "cruel youth" in the film, Fan Bingbing explained that he represented a painful youth, extreme, wild, and desperate for love and ideals. In contrast, Chen Bolin’s character is more like a self-punishing youth. He beats his father, but finally hurts himself, as if he were a suicide without blood.

　　When asked about her winning experience at the Tokyo Film Festival, Fan Bingbing admitted that the judges were very shocked by her successful performance of an 18-year-old girl beyond the 10-year span. The judges felt that Fan Bingbing was "playing" herself, and that "Nanfeng" was Fan Bingbing. Talking about the experience of working with other creators, Fan Bingbing said that this experience was very unforgettable for her, "everyone is acting crazy". The actress who has always been praised as "Fan Ye" is very humble and said that she feels very lucky to be able to work with Zhang Aijia, Chen Bolin and Jin Jing.

　　[Autohome Industry] Recently, Geely Technology officially announced that its Star Star Zhilian Satellite Factory in Taizhou has been approved by the National Development and Reform Commission for commercial satellite manufacturing projects.

　　It is reported that the Star Connected Satellite Factory is a commercial satellite production factory led by commercial companies and integrates aerospace manufacturing and automobile manufacturing capabilities. It is located in Taizhou Bay New Area and is the first pulsating modular satellite intelligent AIT (final assembly and integration test) center in China. At the same time, the official announced that the first equipment of the Star Connected Satellite Factory has entered the field and is expected to go into production in October 2021, with an annual output of more than 500 satellites.

　　Satellite Internet has been included in the category of "new infrastructure" information infrastructure by the National Development and Reform Commission. In the future, with the increasing demand for "interconnection" of automobiles, related equipment, base stations, satellites, etc. will also be an important part of it. Recently, news related to "Geely" and "Satellite" has also appeared frequently. In January 2021, Qingdao SCO Aerospace Science and Technology New Industry Project Planning Plan was announced before approval, marking the official launch of the project. The project belongs to Geely Satellite Internet Project, with a total investment of 4.12 billion yuan, aiming to create the world’s leading Internet of Things demonstration project.

　　As early as 2018, Geely Group has strategically invested in space and space technology company Spacetime Daoyu, and began to lay out the space satellite field, covering the whole industrial chain from R & D, manufacturing to application. At present, the core team of Geely Aerospace Project has more than ten years of project experience, and has gathered the best domestic experts in the fields of aerospace system engineering, cloud computing, Internet of Things, artificial intelligence, quantum communication, navigation and positioning, and continues to recruit talents in related fields. (Text/Autohome Ma Aijun)

　　CCTV News(Reporter, Luo Chuan, Tang Shiying, Li Wenwen, He Chuan) On May 28, the 7th China Network Audiovisual Conference with the theme of "Guarding Integrity and Innovation to Inspire New Audiovisual Vitality" opened in Chengdu. At the Network Audiovisual CEO Summit held that afternoon, many leading figures in the network audio-visual industry shared their experiences and views and exchanged insights.

　　Fan Luyuan (Alibaba Group Partner, President of Alibaba Entertainment)

　　We are willing to be "migrant workers" in China’s film and television industry and provide infrastructure services. We hope to give full play to the series of advantages of Internet big data and Alibaba’s ecological resources to bring incremental growth, vitality and innovation to China’s online audio-visual industry.

　　Sun Zhonghuai (Vice President of Tencent and CEO of Penguin Film and Television)

　　The scale of the industry continues to expand, and the pattern of the industry is becoming clearer and clearer. The entire audio-visual industry continues to move forward on a standardized and healthy track. Normalized methods can no longer meet the demands of the market. The establishment of industrialization standards, the integration and coordination of resources, and the innovation of ideas and technologies have become very important.

　　Gong Yu (founder and CEO of iQIYI)

　　China’s audio-visual entertainment industry has a bright future. Combined with the development law of the global entertainment industry, China’s entertainment industry will have a period of 8-10 years of rapid growth. According to market third-party data, China’s entertainment industry will grow by 25% in 5 years, and the industry scale will reach 2.70 trillion. It can be seen that the online entertainment industry led by online audio-visual is developing rapidly.

　　Zhang Wenlin (President of Huawei Corporate Strategy Department)

　　In terms of future-oriented ultra-high definition content production, the gap with overseas is very large. There are already more than 200 ultra-high definition TV channels overseas, and Hollywood has produced 4K ultra-high definition movies on a large scale. In comparison, our 4K ultra-high definition content is very insufficient. And our video content consumption and TV production account for half of the world. Therefore, we have great potential in ultra-high-resolution video content. We need to actively deploy IP, cloud, AI and other technologies to accelerate the production of 4K ultra-high definition, VR and other content, and actively lead the development of ultra-high definition content industry.

　　Lu Zhengpin (Chairperson and General Manager of Wasu Digital TV Media Group Co., Ltd.)

　　Wasu takes user requests as the center, adheres to the two paths of "Xiangzhi" and "Huimin", closely focuses on the three directions of new network, new media and big data, and continuously promotes system innovation, technological innovation, product innovation and integrated innovation. Only by continuously optimizing our industrial structure can we maintain the healthy and sustainable development of Wasu.

　　Cai Huaijun (general manager of Mango Super Media joint stock company, president of Mango TV)

　　Mango TV has always adhered to the integration of quality and efficiency in the field of content marketing. We cover 50% of the popular variety shows in the market with 10% of the cost. Now we are not just a content producer, but a master of the content industry system and a platform creator.

　　Rui Chen (Chairperson and CEO of Bilibili)

　　In the future, China will not only become the world’s largest consumer of culture, but also the world’s largest producer and exporter of culture. To achieve this, we need excellent creators, mature audiences, standardized industries and platforms with a sense of social responsibility. Together, under the leadership of the government, we can hope to achieve this goal and truly make Chinese content stand at the top of the world.

　　Li Yiqing (founder of Park Ying Capital, special strategic advisor of Park Ying Guoshi Fund)

　　The overall cultural media industry has re-broken the ice and picked up, and the phased trough is about to pass. The entire cultural media industry currently has only 19 times the comprehensive PE in class A shares, so for investment, I think the entire investment value will reappear.

Who can play best in the car circle? People who drive pickup trucks. Pickups can take you cross-country, take you fishing, play motorcycles, help you climb mountains, and provide public welfare rescue. There is even more room for modification.

On October 1st, the Automobile 2021 Alashan Heroes’ Club officially opened, assembled the artillery alliance, opened the co-creation meeting for riders from more than 20 provinces across the country, established six pickup truck colleges, and launched the "Thousand Talents Co-creation Plan". Black bombs and brigade guns that have repeatedly appeared at the auto show are also officially delivered here!

Unbelievable, 200,000 units were sold in just two years. In China, for every two pickup trucks sold, one is a pickup truck. The birth of the pickup truck has set off a popular wave in China-it has 200,000 like-minded users, forming an enviable circle culture, which is also the soil for launching the "Thousand Talents Program". In this ecological mode, cars will naturally make great efforts to operate well.

It is understood that through online and offline linkage, automobiles will allow more people to participate in the whole chain of product development, testing, production and marketing, including new product naming, new car testing and surrounding boutique development. Off-line, Auto has established the Firearms Union Cheyouhui and set up 31 provincial teams throughout the country; Online, the car has built the first exclusive APP in the pickup industry (the number of users has exceeded 160,000).

The first batch of co-creation officers can enjoy six rights and interests, and the points they receive can be used to give priority to the experience of cultural and creative products, and they can also obtain the exclusive logo of app and the exclusive vehicle nameplate; Can give priority to participating in official offline activities, buying cars and participating in new product experience salons. If you want to do business with, the merchants who settled in the first year can also settle in for free.

Black bombs and brigade guns have already appeared at the auto show before. This is a customized product of cooperation between automobiles and specialized modification companies. This officially modified model is more secure in terms of quality and easier to get a license. At this conference, the two models officially announced the price and started delivery. Among them, the price of black bombs is 248,800 yuan, and the price of travel guns is 267,800-289,800 yuan.

According to the mecha style, the black bomb was blackened all over, and its wader raised the air inlet to the top of the vehicle, reducing the damage to the engine caused by wading and dust. The black bomb uses all-terrain tires with a diameter of nearly 33 inches, which has puncture resistance and passability.

The traveling gun is more like an RV. The cargo compartment is equipped with ladders, spare fuel tanks, onboard tools and other equipment. The interior can accommodate a 1.9-meter *1.8-meter double bed, with decorations similar to the starry sky, and equipped with simple kitchen utensils and water heaters. This car is positioned as a good helper for camping in the wild.

Will 200,000 vehicles in two years go further and wider? I will. Nowadays, consumers’ recognition of domestic models is strengthening, and "playing with cars" is also changing from niche culture to an important thrust to promote the further maturity of the automobile market.

Wen | Long Chengfei

Editor | He Runxuan

We can see "platelets" on TV.

　

On January 22nd, the official blog of CCTV6 movie channel released a poster of Japanese animation "Working Cell" with the topic of #CCTV6 Spring Festival Film List #, confirming that the first season of "Working Cell" will be broadcast in Weibo on February 13th, and the official blog of the Japanese Embassy in China also forwarded it to the official microblog. On January 29th, the official blog of the movie channel released a video clip of the Chinese dubbing version of Work Cell.

　

Screenshot of "Working Cell" animation, the picture shows the popular character "Platelet"

　

"Working Cell" was adapted from Shimizu’s comic book of the same name, and the first season was broadcast in July 2018. Animation personifies cells in the body, bacteria and viruses invading from the outside, and various tissues and organs of the body become machines or buildings. By depicting the work of cells and the fight against the invasion of germs, the daily operation of human functions is displayed, and biological knowledge is popularized.

　

As soon as the news came out, # Work Cell will be broadcast on CCTV # and boarded the hot search in Weibo.Poisonous eyes (WeChat ID: domoredumou)Note that,This is the first time that Japanese animation dramas have returned to mainland TV screens since the SARFT issued restrictions on overseas animation, and the scale of domestic animation industry and the public’s cognition of "animation" and "secondary elements" have also made a qualitative leap compared with more than a decade ago.

　

Then, can the broadcast of "Working Cell" be used as an opportunity for Japanese animation to return to mainstream TV channels?

　

Those days when I watched Japanese animation on TV

　

In the childhood of many viewers, Japanese animation can be seen on TV channels.

　

If we want to trace back to the first Japanese animation broadcast on TV, it is probably Astro Boy, which was introduced in 1981 and adapted from Osamu Tezuka’s original cartoon. The version introduced at that time was the 1963 version, which was also the first TV continuous animation in Japan.

　

However, for many netizens who are still recalling childhood cartoons, Astro Boy has been introduced for a long time, and saint seiya, a Saint introduced in 1980s, seems to be more representative of the childhood memories of most viewers. "Practicing the small universe" has become a common childhood anecdote written by many post-80s writers. In "Flying like a teenager", Han Han once wrote the plot of tying wood to his shoulder with a rubber band and pretending to be a "holy garment".

Knights of the Zodiac: Saint Seiya

　

Looking back, the introduction of Japanese animation to mainland TV channels may be related to Japan’s aid to China at that time.

In the 1970s, the normalization of diplomatic relations between China and Japan began. In 1978, China officially started the process of reform and opening up. In the same year, Deng Xiaoping, then Vice Premier of the State Council, visited Japan and concluded the Sino-Japanese Treaty of Peace and Friendship. The following year, he began to provide ODA (official development assistance) projects to China. With the relaxation of Sino-Japanese diplomatic relations and the strengthening of cooperation, it is logical to introduce Japanese animation.

　

At the same time, at that time, Hong Kong and Taiwan had close communication with Japan, and introduced many animation works, including "Chaos 1/2" and "Flower Fairy", and made dubbing and subtitles in Chinese. Mainland TV stations could directly purchase and introduce Hong Kong and Taiwan versions, thus reducing the input cost of dubbing and subtitles.

　

In 2000, Uni-President Group sponsored Taiwan Television to broadcast China! In order to re-dub the film with advertisements, the name of the leading actor "Liu maosin" in the film was changed to "Little Master", and the name of the female host’s father "Ji" was derived from the brand name of Ji Dumplings. Later, the Taiwanese version was introduced to the mainland, and the childhood memory of mainland audiences left the translated name of "Little Master" with advertising color.

China’s Little Master　

However, many viewers’ childhood memories came to an abrupt end in the early 20th century.

　

According to the Notice of the State Administration of Radio, Film and Television on Further Standardizing the Broadcasting Management of TV Cartoons, starting from January 1, 2006, TV stations at all levels in China are not allowed to broadcast overseas cartoons or information programs introducing overseas cartoons during the period of 17:00-20:00, and at the same time, major animation channels are required to broadcast only domestic cartoons and domestic animation columns during this period.

　

The introduction of the broadcast restriction order is on the one hand due toMismatch between domestic TV channels and main audiences of Japanese animation.

In the domestic traditional concept, "cartoon" is a literary work for children, and the main audience of TV animation channel is mostly children under the age of 10, while the main audience of most Japanese cartoons is teenagers in junior and senior high schools. The serial comic magazine Weekly Youth JUMP, which has the highest circulation in Japan, is positioned as a juvenile comic magazine, and many of its contents are considered by parents to contain negative factors such as violence and blood, and often receive complaints and feedback.

　

On the other hand, the original intention of restricting overseas cartoons is to protect the domestic animation industry.

In 2010, Jin Delong, then deputy editor-in-chief of the State Administration of Radio, Film and Television and director of the Propaganda and Management Department, said at the Suzhou Film and Television Animation Creative Investment Conference that he opposed the large-scale introduction of foreign cartoons, because the large-scale introduction of foreign cartoons would hit China’s animation industry hard. At that time, the support policies for the domestic animation industry and the strict control over the introduction of foreign cartoons achieved remarkable results.

　

The "second dimension" of change

　

In those days when Japanese animation was not seen on TV, the state began to give policy support to the domestic animation industry.

　

In 2006, the Ministry of Culture, the Ministry of Finance and the Ministry of Education issued "Several Opinions on Promoting the Development of China’s Animation Industry", proposing to increase investment and financing support, and encouraging animation publishing and broadcasting institutions to increase the proportion of publishing, publishing and broadcasting domestic animation products, which was approved by the State Council.

In 2008, the Notice of the Ministry of Finance and the State Administration of Taxation on Tax Policy Issues Concerning Supporting the Development of Animation Industry was issued, proposing to give preferential treatment to recognized animation enterprises in terms of value-added tax, business tax and income tax. In 2012, the Ministry of Culture even issued the "National Animation Industry Development Plan during the Twelfth Five-Year Plan" to continuously promote the development of the domestic animation industry.

　

The results of support are obvious, and the market scale of domestic animation industry has increased in more than ten years.

According to the National Animation Industry Development Plan during the Twelfth Five-Year Plan, the domestic animation industry will reach 47.084 billion yuan in 2010 from less than 10 billion yuan at the end of the Tenth Five-Year Plan, with an average annual growth rate of more than 30%. Jin Delong also said that from 1993 to 2003, the domestic original animation production was only 46,000 minutes, and by 2009, this number had increased to 171,600 minutes.

　

The Return of the Great Sage has exceeded 900 million at the box office, and excellent domestic animation works such as Fox Demon Little Matchmaker and Under One Man have appeared one after another, all of which have provided "confidence" for domestic animation, and the younger generation of Z-generation audiences have more choices than Japanese animation.According to the research report of iResearch, the total output value of China animation industry reached 194.1 billion yuan in 2019, and the number of online animation users reached 400 million.

Fox demon little matchmaker

　

At the same time, with the growth of post-90s and post-00s groups and the development of barrage websites with ACG sub-culture, excellent animation works have stepped out of the original circle, and the mainstream audience’s cognitive impression of "two elements" has changed. ACG, a circle culture, is gradually moving towards the mainstream public with the growth of the main audience. Recently, the popular Japanese animation "The Mantra Comes Back to War", the popular character Wuwu’s birthday can also be searched in Weibo.

　

The appearance of excellent works by Guo Man and the public’s decontamination and naming of "second dimension" and "cartoon" provide a prerequisite for Japanese animation to return to mainstream TV channels.

　

The Work Cell, which landed on the film channel this time, is itself a high-quality animation work with the nature of entertaining and popular science. It was praised by People’s Daily and won the "Best Animation Script Award" in the Magnolia Award of the 25th Shanghai TV Festival in 2019.

And choose this time to broadcast by the film channel, perhaps considering to cater to COVID-19’s anti-epidemic environment. The official blog of the film channel wrote when releasing the poster of "Working Cell": "I hope that both big friends and children can deepen their understanding of themselves and enhance their awareness and ability of self-protection during the epidemic."

Working cell

Then, does the broadcast of "Work Cell" mean that CCTV’s restrictions on the Japanese diffuse have been lifted?

Some netizens think that broadcasting itself can’t represent the attitude of CCTV, because the movie channel with the name of "Six Princes" is actually not directly affiliated to CCTV. Before that, the theatrical version of One Piece, Naruto and Spirited Away and other Miyazaki Hayao animated films were broadcast, and in January 2019, it was specially designed to introduce Fate/Stay Night’s Feet to domestic cinemas.

　

However, in recent years, the mainstream TV media represented by CCTV are changing their "image" to fit the aesthetic trend of young people. In the previous article "Consa Juni", CCTV Men’s Team in Business, it was mentioned that the popularity of this "CCTV Hosting Men’s Team" was an attempt by CCTV to open a new dialogue with young audiences.

Last year, Zhu Guangquan and others walked into the live broadcast room with goods, and Wang Bingbing became an internet celebrity sought after on social media platforms. The initial stage of the whole crew of "Youth with You 3" was set at the CCTV New Year’s Eve party, and CCTV’s "youthfulness" seemed to be further accelerated.

　

The appearance of "Working Cell" on TV may also be an opportunity to further "open up".

　

Our province introduced the measures to support and reward excellent film creation, production and communication projects.
The box office exceeds 100 million yuan, and the highest reward is 3 million yuan.

Hainan Daily News   (Reporter   Zhang Wanxian   Trainee reporter   Song Lingyun) Recently, our province issued the Interim Measures for Supporting and Rewarding Excellent Film Creation, Production and Communication Projects in Hainan Province (hereinafter referred to as the "Measures"), offering "real money and silver" to support and reward excellent film creation, production and communication projects, encouraging the creation, production and dissemination of more excellent masterpieces with profound thoughts, exquisite art and excellent production, telling the story of Hainan Free Trade Port well and promoting the prosperity and development of Hainan’s film industry.

The film projects supported and rewarded by the Measures include all kinds of domestic story films, opera films, animated films, documentary films and science and education films (including the above types of Chinese and foreign co-productions).

The objects of support and reward are divided into five categories, namely, film creation projects that are expected to have significant social influence; Representing Hainan in major national literary awards, competitions, film festivals or major international competitions and mainstream film festivals widely recognized by the society sponsored by the Publicity Department of the Communist Party of China, the State Film Bureau, the Ministry of Culture and Tourism, the China Federation of Literary and Art Circles and other relevant departments, and film works that are expected to win awards or have won major awards; Projects with Hainan theme and elements as the main creative content, whose works mainly show Hainan’s human history, natural scenery and development achievements, which have great influence and promotion on promoting Hainan’s image and cultural awareness; Movies broadcast in the Central Radio and Television General Station or released and shown in mainstream cinema lines and achieved good box office results and good social benefits; Other special projects not included in the "Measures" shall be supported or rewarded by one-on-one discussion.

The Measures provide nine categories of support policies for film projects, including film creation support, film premiere support, key projects support, domestic box office awards, overseas box office awards, broadcast awards, national awards, international film festivals awards, and other domestic film festivals awards. Among them, the film project that tells the story of Hainan, the works mainly show Hainan’s human history, natural scenery, development achievements and other film projects, and each film will be given a one-time reward of 50,000 yuan with the Film Script (Outline) Filing Receipt (within the validity period) and the script; Complete the filming and get the film release license, and then give a one-time reward of 300 thousand yuan.

Movies listed as key projects of the Central Propaganda Department (State Film Bureau) shall be supported by no more than 3 million yuan each; Films listed as key projects of the Propaganda Department of the Provincial Party Committee (Provincial Film Bureau) shall be supported by no more than 1 million yuan each (both national and provincial key projects shall be supported).

If the box office of films that have been released for the first time through mainstream cinemas and have good social benefits reaches 100 million yuan (inclusive), each film will be given a one-time reward of 500,000 yuan; For every 100 million yuan increase in the box office, the reward will increase by 500,000 yuan, with a maximum of 3 million yuan. The film project was successfully released overseas, and the box office was converted into RMB 10 million yuan (inclusive) at the exchange rate, and each film was rewarded with 500,000 yuan; If the box office reaches 50 million yuan (inclusive), each department will be given a one-time reward of 1 million yuan; If the box office reaches more than 100 million yuan (inclusive), each department will be given a one-time reward of 1.5 million yuan.

Give a one-time reward of 3 million yuan to the film that won the "Five One Project" award in Publicity Department of the Communist Party of China; A one-time award of 1 million yuan will be given to films that have won the China Film Watch Award, the Golden Rooster Award for Chinese films and Hundred Flowers Award.

The "Measures" stipulate that the project supported by film creation is a film and television enterprise with independent legal personality. For other projects that support awards, the applicant must be a unit registered in Hainan Province with independent legal personality.

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A new application test automation method, which can quickly evaluate the experience quality provided by the world’s popular mobile applications.

German technology company recently announced the introduction of enhanced functions for its Nemo device application test suite. The software solution adopts automation technology and artificial intelligence (AI), which gives a powerful boost to wireless service providers and application developers, and can help them quickly evaluate the real interaction between smartphone users and local mobile applications. It is German Technology that provides advanced design and verification solutions, aiming at accelerating innovation and creating a safe and interconnected world.

In the past few years, the number of users who use mobile applications to access digital content and participate in social media platforms and online games has increased significantly worldwide. Compared with the mobile web browser, the local mobile app can provide a tailor-made excellent experience; Therefore, the use of mobile applications has significantly promoted this growth.

Matti Passoja, the head of Nemo wireless solution of De Technology, said: "Service providers and mobile application developers want to know the real experience of end users when they access OTT applications with smartphones connected to cellular networks, and they need a reliable way to verify it. It is DeTech that has created an automated application testing method based on its unique software and hardware technology platform. This method uses real applications, and can accurately understand network performance even in extremely complex and changeable situations. "

It is DeTech that makes full use of artificial intelligence, machine learning (ML) and automation technology, and uses the data captured by local mobile applications (instead of the simulated data flow) to create a brand-new device testing application method. This method can evaluate the interaction between end users and their mobile applications more accurately. The new application test automation method can help wireless service providers quickly optimize the performance of 5G network, and at the same time provide better quality of experience (QoE) for smartphone users. Users can enjoy the world’s most widely used OTT services and social media applications, such as Facebook Messenger, Microsoft Teams, Snapchat, TikTok and Zoom.

The new automatic test application method is one of the three supplementary test methods provided in Nemo device application test suite of German Science and Technology. According to the type of mobile application and key performance indicators (KPIs), the test method can be used with a Nemo field test solution. Nemo test suite users can obtain comprehensive, real and flexible 5G network performance verification and end-user QoE evaluation.

It is a Nemo testing tool of German Science and Technology, which can capture real measurement data in the field and use it for real-time analysis or post-processing analysis. These test tools include Nemo Outdoor 5G NR drive test solution, Nemo Backpack Pro 5G indoor benchmark test solution and Nemo network benchmark test solution.

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